paladinsuitsyou: (Disappointed)
2009-02-01 10:12 pm

Days like these

Booth needs a break.

Explanations done, loose ends tied up as much as they can be, and he's bone-weary and still in a state of shock. Well. Who wouldn't be, with Zach going into a mental institution for helping a serial killer?

Yeah. This week can't be over fast enough.

So he's in the Bar, drinking coffee and going over his notes one last time, checking to make sure everything's in order. The loose ends do seem tied, but it's best to be certain about these sorts of things. The truth is, he's just waiting for the truth to sink in.
paladinsuitsyou: (Neutral/moody)
2008-11-03 02:26 pm

OOM: Flashback

Vasili Gregarin

There's a blast from the past. A name Booth hasn't heard in years. Doesn't mean he hasn't thought of Gregarin, though. Doesn't mean he's forgotten.

He leans back in his hospital bed, and wonders what the hell this means.

Booth was barely more than a rookie, but he got involved in this case through sheer perseverance. Gregarin was number two in a group of Russian mobsters, their U.S. leader, and Booth, who was investigating the death of a John Doe found in Brooklyn, found himself in the middle of a task force to catch the guy.

Before that, though, he was part of the massive fuckup.

Ten years ago

It was never supposed to happen the way it did. It was supposed to be a routine John Doe case, but once he realized that Alexei Andropov had worked for Gregarin - and Andropov wasn't a good guy, by any stretch of the imagination. He'd done horrible things in service to Gregarin, but Andropov had come to realize just how horrible, had turned to the Feds to get him out.

Andropov had a family, and now his family was left alone.

Booth took that kind of thing to heart, even then.

So he forced his way into the investigation, and tried to figure out how to catch the bastard.

Unfortunately, the bastard found him first.

Threatening notes were the start, but things got worse quickly. Slashed tires. Dead animals.

And finally, a confrontation on a dark road as Booth finished his morning run.

He'd thought he'd killed the other man - had hoped. But a few weeks later, a letter had arrived, and Booth knew he was wrong.

Gregarin swore he'd never return to the states until Booth was dead, until he could attend the FBI man's funeral.

In the intervening years, Booth had followed reports of Gregarin, talking to friends from that time in his life. Gregarin ran a dangerous gang in Russia - one with ties high in the U.S. and Russian governments. He dealt in drugs, sex slavery and - most worryingly - nuclear arms trading. Rumor had it that Gregarin had worked with Abdul Qadeer Khan, the Pakistani scientist who sold nuclear secrets to the highest bidder.

Gregarin had only gotten more dangerous in the intervening years. The chance to catch him wasn't one Booth could easily pass up.

He just hoped that Sweets told Brennan what was up soon.

((Later.))
paladinsuitsyou: (Confused/annoyed)
2008-11-02 09:14 pm

OOM: "Are you putting them through needless pain, too?"

((Earlier.))

At first Booth thinks, maybe it's just the drugs that are making him slow.

He can't possibly be hearing this right. It just doesn't make any sense.

"So, wait, what, you told the squints I died in surgery?"

Agent Ben Jones shifts uncomfortably. Seeley Booth might be injured, and therefore not particularly dangerous at the moment, but he'd recover. And by reputation, the man did not suffer fools gladly. From Booth's tone, it was clear he thought Jones, and by extension, A.D. Mitchell, were exceedingly foolish.

"Yes. I'm sorry, but I'm afraid it's necessary. We've released the facts surrounding the uh, incident, to the media as well. It's all over CNN by now."

Booth sets his jaw into a firm line. "And my family? Do they have any idea, or are you putting them through needless pain, too?"

Jones opens his mouth to answer, but the door bursts open and A.D. Mitchell bursts in.

"They said you were awake, that I should come -" Mitchell breaks off and stares at Booth. "You look like shit."

"I was shot in the chest, or did you forget that part?" Booth asks sardonically.

"No, not so much," Mitchell replies, just as dry as Booth. "It's good to see you, uh -"

"Alive?" Booth asks drily.

"Awake," Mitchell says, his voice firm. "I was going to say awake."

As amusing as it was to throw Mitchell off his game, Booth couldn't really take the time to enjoy it. "The squints all think I'm dead. Have you allowed my son and his mother to think the same thing?"

His voice sounds even, calm, but there's an undercurrent of threatening anger that Mitchell clearly picks up on. "No, they know the truth. Is there anyone else who needs to know? Your parents? Brother? A girlfriend?"

"First I'd like to know exactly why I'm pretending to be dead," he growls. "This is the sort of thing you expect from a two-bit actress, but generally, I take life and death a little more seriously than the Hollywood set."

Mitchell and Jones share a long look, and at some unseen signal, Jones begins: "Do you remember Vasili Gregarin?"

Booth's jaw drops. "Christ, now there's a name I haven't heard in years."

Jones smiles faintly. "That's sort of the point, actually."

Booth nods. "Yeah, I guess it is." He looks hard at Jones. "You think that thing he said, about seeing him at my funeral, is actually valid?"

Jones nods. "Gregarin's a strange man, in a lot of ways. Very big on honor, very big on keeping his word, that kind of thing. If he said he'd be at your funeral, he'll be there."

Booth sighs, admitting to himself that capturing Gregarin is pretty damn important. It'd make him feel better, too, what with the man having gotten away and all.

"Okay, so I'm dead. You've told Parker and Rebecca. Nobody else?"

"Nobody else," Jones confirms. "You need me to tell anybody else?"

"Damn straight I need you to tell somebody else. Several somebodies. The -"

He breaks off. Can't tell all the squints - they're terrible at keeping secrets. That many people knowing would seriously jeopardize his case.

But if Sweets tells Bones - well. In about half an hour, everybody would know she was lying about something, they'd figure it out, and they'd all know. And nobody would have to worry, or feel bad.

"My parents. They need to know," he says, some of the fight going out of his voice. "And my partner. Dr. Brennan. That's all."

Mitchell nods. "Done." The shrink will handle it. He's already talked to Rebecca and Parker, so he's had the practice. Offering Booth his hand, he says: "We'll be in touch, when the hospital says you can be moved. Get you to a safehouse. We figure it'll take two weeks or so to set up the sting, so we'll just say we're waiting for the funeral to be scheduled."

Booth shakes Mitchell's proferred hand, then Jones' as well. "Sounds good to me." Privately, he wonders why they can't speed things up a little, but he knows better than to ask.

All he can say for sure is that if no one tells Bones, she's going to kill him.

Gregarin really needs to be put away, though.
paladinsuitsyou: (Serious)
2008-11-02 06:51 pm

(no subject)

((Earlier)).
Being fake-dead is possibly the most boring thing ever, Booth decides.

To be fair, actually being dead wouldn't be so hot either. Oh, sure, there would be the afterlife, whatever that entails (Booth's figuring he's got a decent shot at Heaven, or at least Purgatory. Still. Hell can't be entirely discounted as a possibility), and maybe a stop on the way at the Bar at the End of the Universe.

A chance to say goodbye, to send a message to Parker through Bones, maybe...yeah, that wouldn't be so bad.

This, though. This must be hell on earth. This waiting, this hanging around an FBI safehouse, just hoping that the intel guys get a whisper of a hint about Gregarin.

He can't even exercise. Running's out for sure, and walking on a treadmill is stupid. His handlers won't let him out of the FBI apartment - not that he could get very far if he wanted to, what with having been shot in the chest and all.

Booth's watching an old movie - something with James Cagney being macho, whatever - when Jones finally tells him the plan.

((Later.))
"We've got a bead on Gregarin," the other agent tells him. "He's got the word about your death - we've got the funeral arrangements in place for next week. We've made arrangements for your family to be there -"

Booth interrupts him angrily. "Wait, my family? No one said anything about my family. No."

"What?" Jones says, confused. "Of course your family has to attend your funeral. It lacks verisimilitude -"

"I don't care what it lacks," Booth growls. "You are not putting my son at risk for some FBI/CIA spygame. No."

Jones tries to argue, but Booth refuses to listen, interrupting with a 'No' every time Jones tries to make a point.

Eventually, the other man subsides, and begins telling him about the rest of the arrangements.

"I want to be there," Booth says.

Jones tries to argue him out of that, too, but to no avail. Booth is very, very good at being stubborn.

"If I'm pretending to be dead for two weeks, I'm going to be there to take this bastard down."

Finally, Jones gives in, but not until Booth promises that he'll stay in his appointed place in the honor guard. "No heroics," Jones warns.

"No heroics," Booth agrees, looking as innocent as humanly possible, eyes wide.

It's a lie,
of course.
paladinsuitsyou: (Default)
2008-10-28 08:31 pm

OOM: An appropriate atmosphere of frivolity

((Sometime after this.))

After arresting Tommy Sour's neighbor for killing him (and seriously, what kind of a lame motive is that? Killing someone who makes too much noise? How freaking hard is it to just call the cops? The artistic temperament will never, ever make sense), Booth thinks a little bit of fun is in order.

After teasing Brennan about her claim to sing 'Girls Just Wanna Have Fun' better than Cyndi Lauper, he knows just what to do.

He calls her up, tells her he's got a loose end at the open mic night Tommy Sour used to sing at. He sets up the pianist with a $20, tells him to start playing the intro to the song as Bones walks in, and makes sure that all the squints (and even Sweets) are there to cheer her on.

With a little bit of persuasion, she's on the stage, jumping up and down and singing (amazingly well, with a strong, throaty voice that doesn't miss a single note). It's infectious, and everyone gets really into it. There's dancing in chairs (even one Seeley Booth) and clapping in time with the beat.

Booth's just congratulating himself on his awesome idea when his fun, low-key, silly night out turns into a nightmare.
paladinsuitsyou: (Uncertain)
2008-10-28 06:58 pm

OOM: Coffee and diner food interuptus

((Sometime earlier.))

The phone rings, interrupting a conversation about power and prestige.

Apparently, both Booth and Brennan have high status. He's pleased to know these things. Also, they're a mutual admiration society.

"Yeah, it's Agent Booth," he answers, the number on the caller ID unfamiliar.

"It's Pam." Getting no response, she adds, "Pam Noonan."

"How can I help you, Miss Noonan?" he asks warily.

"Are you available to meet?" she asks brightly.

Booth is taken aback. "I'm sorry - um, how did you get this number?"

"Your office patched me through." She gives a little trill of laughter, sounding nervous. "I said I was your mother."

"Yeah, Dr. Brennan and I can meet with you," he says.

"No," she says, the nervousness gone now. "Just you."

Booth shifts uncomfortably on his stool. "Well, if it's relevant to the case, uh, Miss Noonan, I think it'd be important that Dr. Brennan..."

Pam interrupts. "I can be at your office in a half-hour. But you have to meet me alone."

More confused than ever, Booth asks: "I'm sorry, is this about Tommy?"

"What else would it be about, Agent Booth?" Her voice is soft, gentle, high.

He frowns. "Okay. A half an hour."

Hanging up, Booth looks at Brennan. "What did she want?" Bones asks.

"She wants to see me, without you."

"Did she say why?" Brennan asks in disbelief.

"Probably because you make her uncomfortable," Booth says, a bit sharper than he'd intended.

"How so?" Brennan asks.

"Well, because...you're you, and a well-adjusted woman," Booth points out.

"And a best-selling author," she says, referring back to their earlier conversation. "I was on the New York Times list for 18 weeks, I won the Ed -"

She breaks off, noticing that Booth is giving her a long, hard look. She looks down at her dinner, then looks back up at him and eats a French fry as if daring him to say something about her ego again.

Booth refuses to take the bait.

*******************************

Opening the door to his office, Booth ushers Pam Noonan through the door.

"Right this way."

She enters, then says: "Thanks for seeing me."

"Uh, it's my job." It's not a very gracious thing to say, but it's late, and so far, she hasn't offered any concrete information that makes him want to coddle her.

"That's precious," Pam says. She laughs, with a strange little wheeze on the end. "It's your job."

Booth doesn't see what's so funny about his job, but, well, he'd like to wrap this up quickly and get home. He walks behind his desk, faces her. "You said you had information about-"

She interrupts. "Hockey fan!" She points to a print of a Caps player trying to score on the Flyers. "I have that same print in my office." She tilts her head and shrugs. "And it's Pam. I have tickets to the Capitals. We should go sometime."

Booth furrows his brow and tries to figure out how this conversation got so off-track. "Miss Noonan, about the case..."

"Seeley, please. Pam. I need to ask you something."

"Uh, usually I ask the questions."

She steps toward him. "Are you dating Dr. Brennan?"

Surprised, Booth answers, "No. She's my partner."

"I see," Pam says with a little smile on her face. She spots a picture of Parker, grinning on the desktop. "Your nephew?"

"That's my son," Booth says, moving to block the picture from her view, as if to shield Parker from this disturbingly intense woman.

"You're married?" Pam asks, looking hurt.

"No, I'm not," he says brusquely. "Listen, I'm kinda busy here, Miss Noonan -"

She interrupts him again. "I brought you something." The hurt look has vanished from her face, and her voice is full of little-girl delight. She hands over a pretty gift bag, which Booth takes, almost against his will.

He raises his eyebrows as he pulls out a pair of striped socks. "Okay..."

"I know you've got a thing for socks." Her voice is full of laughter, as if it's some sort of private joke between the two of them.

"How did you, uh..."

"I noticed 'em the last time. On the outside, you're this big, tough FBI guy, but really you're just like me. Unpredictable. Like Tommy was."

Booth shakes his head. "Please -"

But before he goes any further with the 'I cannot take your socks' spiel, she interrupts him yet again. "I know. We shouldn't talk about our old flames, especially when we're just getting to know each other."

"Miss Noonan," Booth says, his voice firm, with just an edge of anger. "You said you had information about Tommy Sour's murder."

"Really?" she asks dreamily. "I have faith that you'll find out who killed him. And Tommy wouldn't want me to grieve forever." Her look is adoring, and she scans the room. "Look at all these commendations. You're really great at your job, aren't you?"

The gift bag, long since dropped, catch her eye, and she bends to pick them up. "It's one of the reasons I'm drawn to you."

Booth holds up his hands, socks still in hand. "Ma'am, this is way inappropriate."

Pam laughs at that. "Ma'am. That is so cute! I can't wait to tell my mom you just said that."

Holding the socks as if they somehow contain the answer to how this crazy conversation got so railroaded, Booth just stares at her.

"Well," Pam says. "Bye for now."

She turns to walk away, and takes one last look at Booth before going out the door.

Looking down at the socks in his hands, Booth tries to figure out what the hell just happened here.

((Sometime later))
paladinsuitsyou: (Beat up/stony)
2008-10-28 06:00 pm

OOM: It's all very dangerous.

"Hello, is this Martha Noonan?" Booth asks the woman on the other end of the line.

"Yes," she replies. "May I know who's calling?"

Booth introduces himself, then tells her the reason for his call. "Your daughter's uh, fiance," he winces as he says the word. It's clear that Pam Noonan was no more Tommy Sour's fiance than she was a supermodel. "He was found dead a few nights ago. Murdered."

He allows a moment to pass for the appropiate shocked gasp, and "Do they know who did it?" He makes the required sympathetic noises, answers the question in the negative, and then says, "We just need to confirm your daughter's whereabouts at the time of the murder. She was with you?"

Just then, Bones and Sweets walk in, talking loudly.

"The pathology is clear. She's possessive and amoral," Sweets says.

"Eh!" Booth cries, moving the phone from his mouth and pinching his fingers together, indicating that they should shut up.

More quietly, Sweets continues: "Her emotional connections are forged through manipulation and delusion. Once a connection that tenuous breaks..."

Brennan interrupts. "So she killed Tommy Sour?"

Sweets shakes his head. "I can't say that, of course," he admonishes her. "But...she is a dangerous person."

"Thank you," Booth says, and hangs up the phone. "Well. Her story checks out. She was in Florida. And her parents are devastated that their future son-in-law, who they never met, will no longer be her love-monkey."

"Well, Dr. Sweets still thinks that she's a killer," Bones says, shrugging.

Sweets looks at her, very serious. "Dangerous. I think she's dangerous."

"I agree."

Sweets looks at Booth, surprised. "Thank you, Agent Booth."

"All those gifts, and taking pictures from a distance, and showing up in the middle of the night in a nightie -" Booth's tone is light, and it's clear he's being sarcastic. "It's all very dangerous." He puts air quotes around the last two words and walks up to Sweets.

"Mocking," Sweets says, "Will not change my opinion. I've been mocked many many times before."

Booth shifts his eyes from Sweets to Brennan, who has a faint, amused smile on her face.

"That...came out wrong," Sweets says, chagrined.

"That's great, Sweets," Booth says. He claps the younger man on the chest and shoulder, steering him out the door. "Appreciate your help, but you know what, she has an alibi. See ya!"

At the door, Sweets leans back in, looking concerned. "Well...Just be cautious of her, okay? She's not stable."

"Great, thank you," Booth says.

One more time, Sweets leans around the closing door. "Oh, and remember, our session Tuesday's at four. Trust exercises? You're going to be there." He waves as he walks off.

Booth fake laughs and waves. "See ya."

((Sometime later.))
paladinsuitsyou: (Default)
2008-10-22 10:44 pm

OOM: The things you hear.

((Just before.))

Booth almost doesn't hear her call his name. It's like a whisper in his ear, and he turns around but thinks he's sort of wasting his time, jumping at shadows. So he's surprised to see Pam, staring at him hard enough to burn a hole in his jacket.

"I'm doing this for us," Pam says, and he starts to stand. Because someone else might have missed the click of the safety in the chatter of the bar, the beat of 'Girls Just Wanna Have Fun' and Brennan's (surprisingly) gorgeous voice.

Seeley Booth is not someone else. He stands, draws his gun, but he hears the blast from the muzzle before it's clear of the holster.

The screams should be all he hears, but instead, he all he can hear Brennan (and why isn't she singing anymore? Is she hit? Did that crazy woman hit her?) and Sweets' exchange from earlier in the week:

"Well, Dr. Sweets still thinks that she's a killer."

"Dangerous. I think she's dangerous."


He staggers backwards and there's a thud as one knee hits the ground, then another as his body collapses. The screams are louder, but he's straining to hear Bones in the pandemonium. (She can't be hit. He only heard one shot.) His breath sounds harsh, labored, raspy, and he can't see - why can't he see?

But everything is okay for one minute - just one, in spite of everything - when he hears the sound of his gun going off. He hears a gasp, then another thud, and everything is fades into the background. Hodgins directing Zach, the horror of the other patrons, the distant sound of ringing telephones, all just disappear as Brennan's voice cuts through the pain that's only starting to hit him.

"Booth, you're gonna be fine. I'm right here. Come on. You're gonna do this. You're gonna be fine. You're gonna make this. Come on! Come on, Booth. You're gonna make it."

He wants to say something, to tell her, "Yeah, 'course I'm gonna be fine. You're not worried, are ya Bones?" But it's too hard to breathe and the words just won't form.

Her voice is raw, edged with panic, and she's nearly screaming, but Booth can barely hear her. Even her voice is fading, like the screams and the coming sirens. That's when Booth realizes he's really in trouble here.

"Come on! Come on, Booth. Come on! Come on, come on, come on. You're gonna make this. Come on. Come on."

Her breath is coming hard now, her voice hoarse with fear. "You're gonna do this. Come on. Come on. Come on, Booth. It's gonna be fine."

His vision clears, just for a moment, and she's all he sees, her pale skin, her wide, terrified eyes, and he thinks, If I have to die now, if it's really necessary, thank God it was like this. For her.

Then Booth's vision clouds over again, and her voice sounds like it's coming from the end of a long tunnel, faint and echoing.

"Come on Booth, no, come on. Come on, Booth!"

((Later.))
paladinsuitsyou: (Neutral/pretty)
2007-11-27 05:54 pm

Scene 16: Wrapping things up

The Vickers's financial records clearly showed large, regular payments - the largest coming at the time of Lynn's faked death. The payments abruptly ceased two months before Lynn's body was found in the blown-up federal building. That alone was enough to get them a search warrant for the Vickers's home, but it wasn't actually needed.

The couple panicked and tried to flee to Mexico. They were caught at the border, and it was the work of a moment for Booth to get a confession out of them.

Yes, they helped Lynn Echolls fake her own death.

Yes, they then blackmailed her for years.

Yes, they killed her when she stopped paying them.

What she was doing in L.A. that weekend, they couldn't say, but they speculated that she was there to secure a new identity and disappear once again, from everyone, especially them. She'd said almost as much, just before they killed her.

Yes, they hid her body in a sarcophagus and used the cover of the exploding building to get rid of it.

It was a satisfying conclusion to a perplexing case, Booth finds. Bad guys in jail. Justice served.

Except he still can't help but wonder how a woman could leave her family, her children, at the mercy of a man like Aaron Echolls. He can't figure out that level of selfishness, can't understand why she would do the things she did.

He probably never will, and ultimately, it's probably best that way.
paladinsuitsyou: (Neutral/serious/pasadora)
2007-11-22 04:27 pm

Scene 4: Meet the sheriff

Previously...

Booth hasn't heard much good about the Neptune sheriff. The worst stuff comes from when Vinnie van Lowe was a PI in town, but there's a fair amount of unethical behavior and skeevy treatment of employees coming from since the man was elected.

Booth suspects that if the man had been sheriff for more than a few months, there'd be more bad things to say. Still, he figures the good people of Neptune elected the man, and they're getting what they asked for. What they deserve, probably.

Plus, the man's keeping him waiting. Booth's never much cared for that kind of power play. It just makes him irritable.

When the sheriff finally emerges, hand extended, Booth shakes it a bit harder than is perhaps strictly necessary. "Nice to meet you, Sheriff," he says. "Glad you could make time to see me."

Van Lowe waves off the passive-aggressive comment. "Oh, no problem. Until you dropped this Lynn Echolls things in our laps, it's been pretty quiet around here."

Booth raises an eyebrow, but lets the comment pass as they enter the sheriff's office. "Yeah, well, I'm here to see what you guys have on that. It's a hell of a thing, huh? You think you've got it solved and it's easy, and then, bam, the whole thing falls apart 'cause one crazy rich lady decides to do things the hard way."

Van Lowe nods. "It really is. The department never questioned that it was a suicide. Why should they? Even under my predecessor, who wasn't exactly the sharpest tool in the shed, they had no reason to question that."

"I understand the son did, though," Booth says, flipping through the file. "First interview he says she'd never do anything like that."

"Yeah, but later you'll see he changed his tune," van Lowe says, smug. "Musta just been overcome with grief or something."

Booth narrows his eyes. "Overcome with grief. OK." He reads through the later testimony, then asks, "What's this about a tape? Doesn't seem to have come into evidence."

Van Lowe pulls the transcript back toward him, reads through it again. "Oh, yeah. Didn't seem to want to talk about it, did he? Can't blame the kid. I didn't work that case - he hired my competitor, Mars Investigations, to look into it." He picks up the phone. "Deputy Sachs, please come to my office. Deputy Sachs." Replacing the handset, he says to Booth, "Sachs worked the case. He should have an idea of what went down."

Sachs, a nervous-looking man with a mustache much too large for his body, enters the room. "Yeah, Sheriff?"

"Hey, Sachs, what you got on the Lynn Echolls case? You were in on the interview with the son, right?"

Sachs nods.

"What's all this about a tape?" Booth asks, jumping to the point.

Sachs looks surprised. "Uh, well, he mentioned it," he says, thinking.

Clearly, Booth notes, Sachs isn't the brightest crayon in the box either.

"But he stopped, right? And didn't want to say anything else. Couldn't find out what the tape was, what was on it, anything. He wouldn't say. Had to drop it, since we couldn't figure out what the relevance was."

Booth sighs softly. Idiots. How hard was it to see that the tape was important? Anything people don't want to talk about was clearly more important than what they would.

"Any idea who'd know more about this tape?" Booth asks, trying to cover his impatience.

"Uuuh," Sachs says, stumped.

"Keith Mars might know. Like I said, Logan Echolls hired him to look into things." van Lowe says. "He won't talk to me, but he might talk to Sachs here. Or you, Agent Booth."

Booth nods. "Get him on the phone," he says crisply.

Van Lowe nods, dials the number, then hands the phone over to Booth. "Mars Investigations," a voice on the other end says.

"Mr. Mars," Booth says. "This is Special Agent Seeley Booth. I understand your agency was involved in the first investigation of Lynn Echolls' death. Can you fill me in on that?"

There's a heavy sigh on the other end of the line. "My daughter handled that case as a favor to Logan. They were..." Long pause. "Friends."

"Friends," Booth says flatly.

"At that time, yeah. They dated, later, but that doesn't change the fact that I wasn't involved."

Booth frowns. "Anyway I can talk to her about it?"

"She's at school right now - I can maybe check the case file, see if she left any notes." Mars sounds dubious about the odds of that, though.

"Why don't you do that." Apparently the younger Mars isn't the most professional of detectives out there.

"Hang on, I'll go get it," Mars says. He's back in a few minutes. "She left notes. Says the tape came from some kids who were making a movie - freshmen. They caught Lynn's dive from the bridge on tape."

"Names?" Booth asks, pulling an index cards from his jacket pocket.

Mars surrenders them, then asks, "Do you need anything else, Agent Booth?"

"No, that's all for now, Mr. Mars. Let your daughter know I might need to speak to her."

"Sure, sure."

They exchange pleasantries and Booth hands the phone back to van Lowe, who has since dismissed Sachs.

"Thank you very much for your time, sheriff," Booth says, standing. He won't say the sheriff's been helpful, but the whole thing certainly could have gone worse.

"No problem, no problem." Van Lowe extends a hand, and Booth goes easier on him this time.

Booth's about to walk out the door when van Lowe clears his throat. "Uh, your partner."

Booth turns back, raises an eyebrow. "Yeah?"

"She's, uh, quite the looker, from what I hear," van Lowe says.

"She's an attractive woman," says Booth, suddenly prim. You'd have to be blind to miss the fact that Bones is gorgeous.

"Yeah, that too," van Lowe says. "You think she's got time to go on a date with yours truly? I don't wanna distract from your case, but I'd hate for her to miss out on Neptune's finest."

Booth stares for a moment. Really? Neptune's finest? God, he hopes not.

"Uh, we're pretty busy. With the case. Probably not."

Van Lowe nods in understanding. "Well, if you get a moment, let her know Vinnie van Lowe's interested, OK?"

Booth covers a laugh with a cough. "Sure thing, Vinnie. Sure thing."
paladinsuitsyou: (Default)
2007-11-04 03:01 pm

Scene 15: Getting information out of Trina

Previously...

She hung up on him.

Booth's grumpy enough after his interview with the Vickerses. Having some starlet hang up on him because she's peeved he interviewed her boyfriend - well, that's just the icing this cake needed.

So when he knocks on the door of Trina's apartment, he's not exactly gentle about it.
paladinsuitsyou: (Phone)
2007-10-30 10:03 pm

Scene 14: On the movie set

Previously...

Booth's found Java the Hut, which he likes better than Starbucks. It's a little heavy on the adolescents, but during the middle of the day, it's pleasantly free of them. There are a few adults typing on laptops, but Booth's used to that. They're all over D.C., although the Royal Diner is pretty free of them.

His phone rings, and after a brief conversation, he ends the call and clicks over to dial Brennan.

"Bones! We're going back to L.A. You ready to go?"
paladinsuitsyou: (Serious)
2007-10-23 10:13 pm

Scene 11: Interrogating Trina, redux

Previously...

The last interview with Trina Echolls can't really be called a rousing success, Booth reflects as he waits for her to enter the interrogation room at the Neptune Sheriff's office. He's hoping this one, with slightly more specific questions in his arsenal, will be a little more helpful.

Still. It's Trina. There's just no telling.
paladinsuitsyou: (Neutral/drinking coffee)
2007-10-21 02:26 pm

OOM: Scene 9, or Booth gets backstory

Previously...

Starbucks, Booth reflects, has no soul. It's beige and green and sort of bland, but at least you can always count on your coffee having exactly the same amount of burned flavor.

If there were pie, he might come to a grudging acceptance of the coffee company's hegemony. As it is, he sort of resents them. Muffins are no substitute for pie.

Still, it's quiet and teenager-free, which is all that really matters right now.
paladinsuitsyou: (Bruised/frown)
2007-09-12 09:51 pm

OOM: In the hospital

It hurts to move.

That's the first thing Booth realizes, when he wakes up. The second is that, amazingly, his mouth no longer hurts, though it feels strangely...puffy.

He touches his cheek, winces. Yeah, definitely puffy. Probably he was given some Novocaine along with...whatever made him just achey. He should, he realizes, be in much, much more pain after the vaguely recalled torment he went through.

But at least there's pudding, which will present no problem for his pained mouth.
paladinsuitsyou: (Default)
2007-07-31 08:52 pm

OOM: Man in the Mansion: Hodgins resigns

Booth sat in the diner, waiting for the call from the Squint Squad (what was left of it, without Hodgins) to tell him if they'd been able to find anything usable from the corpse to link it to Robert Frasier.

He's reading the day's Washington Post, which, as usual, focuses mainly on the latest disaster in Iraq. It's not doing much to cheer him up.

When Hodgins walks into the diner, Booth's hardly in the mood to chat with him. So he studiously reads the paper, ignoring even the wonderful pie in front of him.

Hodgins sits down next to him all the same, hands clasped, eyes down, looking like nothing so much as a penitent seeking forgiveness. He looks over at Booth's paper, the coffee, the pie.

"Pie good?" Hodgins says.

In response, Booth flips the paper and starts reading the story at the bottom - this one about George W. Bush's attempts to politicize science. Eight years ago, Booth wouldn't have gotten it at all. Now, however, it makes him think, Why'd I ever vote for this yahoo?

Hodgins takes a deep breath, leans on the counter with one arm, and faces Booth. "I quit. Handed in my letter to Cam."

"Idiot," Booth mutters. "Should'a got fired. Severance package." Knowing full well that Hodgins hardly needs the money.

"I figure a guy like you, that puts things right between us. Do we need to discuss it beyond that?"

Booth folds up the paper, rolls his eyes. "What're we, girls?" He finally looks with Hodgins, smiling. "Can I get a piece of pie for my friend?" Booth asks.
paladinsuitsyou: (Default)
2007-07-31 08:38 pm

OOM: Man in the Mansion Coda

After this.

After Robert Frasier's conviction for murdering Terrence Bancroft, Booth's feeling pretty good. He's got his "bilious socks" and "ostentatious ties" back though he still hasn't quite gotten over the codpiece comment enough to wear a big belt buckle just yet. In spite of being lectured by Carolyn about wrecking his car and letting the Squint Squad run wild, he's doing all right.

So when he sees Hodgins walk into the diner, he grins.
paladinsuitsyou: (Neutral/relaxed)
2007-07-25 10:49 pm

Scene 12: Interrogating Chad

Previously...

The former Pretentious Umlaut doesn't look nearly as relaxed as his one-time wife did, but then, Booth would be surprised if he did. Normal people - even normal people who are rich and famous - rarely feel comfortable in interrogation rooms. It's how things should be, in Booth's world. When they start looking relaxed, he starts thinking they've got something to hide.

It sounds counterintuitive, but it works for Booth.

"So, Mr. Witherspoon, what can you tell me about Trina Echolls' relationship with her stepmother?"

Why dodge the issue?